Free Music Friday - Allo Darlin' - "I Wanna Be Sedated" (Ramones cover)

Allo Darlin' is the music of Australian-born, London-based songwriter Elizabeth Morris. Originally from a country town in Queensland, Elizabeth moved to London in 2005 and, inspired to write songs by her purchase of a ukulele from the famous Duke of Uke shop in Brick Lane, began to make music.

STREAM: "I Wanna Be Sedated" (Ramones Cover) -
VIDEO: "My Heart Is A Drummer" -

Although Elizabeth has been releasing music under various guises since 2007, it wasnʼt until 2009 that Elizabeth hooked up with Paul Rains (guitar), Bill Botting (bass) and Michael Collins (drums) and Allo Darlinʼ was properly born. Elizabeth and Bill are from Australia, Mike and Paul are from Kent, and they all play in other bands too - Elizabeth is in Tender Trap, Paul and Michael are in Hexicon, Bill is one half of Moustache of Insanity and also in Darren Hayman and the Secondary Modern.

Early in 2009, augmented by Terry Edwards of Tindersticks/Gallon Drunk fame on trumpet and sax, Allo Darlinʼ cut their first single, "Henry Rollins Don't Dance," released in 2009 on the cult WeePOP label. Much to their surprise, "Henry Rollins" started getting airplay on BBC Radio 1, 6 Music and XFM and the like, and received glowing reviews in places such as the Metro, The Fly and The Guardian, the latter calling it "the best indiepop song for years". The bandʼs single that followed, "The Polaroid Song," was named as one of Drowned In Soundʼs Top 50 singles of 2009, while their latest single "Dreaming" was voted Single Of The Week by Jarvis Cocker, Peter Hook and Huw Stephens on Steve Lamacq's BBC 6music round table (beating MGMT, The Radio Dept. and Kate Nash in the process!).

Now signed to Fortuna POP!, the UK home of 2009ʼs biggest indie success story The Pains Of Being Pure At Heart they released their self-titled debut album, recorded at Soup Studios (The Wave Pictures, Letʼs Wrestle) below the Duke of Uke, in the UK last June and it saw a US release in October of last year, picking up a Pitchfork 7.9 review and making eMusic's No. 2 record of 2010 in the process. The album runs the spectrum from joyous, breezy, punky, jump-around pop with fabulous harmonies to sparse ukulele and steel guitar heartbreakers.

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